muskulöser, nackter Mann auf zwei Personen gestützt
© Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden; Foto: Hans-Peter Klut

Hercules – Hero and Antihero

Hercules is one of the most enduring and popular figures of classical mythology. His name is familiar to almost everyone – the Labours of Hercules, or Herakles in Greek, have become firmly embedded in our language: anything that requires extraordinary strength and effort can be called ‘a Herculean task.’ Many people also have a vague mental image of a muscle-bound hero with a club.

  • Dates 22/11/2025—28/06/2026
  • Opening Hours daily 10—17, Monday closed Sonderöffnung Pfingstmontag, Friday to Saturday 28/11/2025—03/01/2026, 10—18
  • Admission Fees normal 16 €, reduced 12 €, under 17 free, groups (10 persons and more) 12,50 €

Die mythische Figur des Halbgottes Herkules

But the mythical figure is more complex than one might think. So who was Hercules, the bestknown hero of antiquity? The exhibition explores this question with the help of outstanding works of art created over a period of 2,500 years and drawn primarily from Dresden’s rich collections. They are complemented by important loans from Rome, Paris, Madrid, Munich, and Copenhagen. On display are antique statues, reliefs, and vases, as well as paintings, prints, sculptures, and works of the goldsmith’s craft dating from the Renaissance onwards. 

The exhibition investigates the famous ‘Labours of Hercules,’ the hero’s relationship with women, his anti-heroic escapades, and his role as a paragon of virtue for rulers such as Alexander the Great and August the Strong.

Bronzefigur auf einen Baumstamm gestützt
© Skulpturensammlung, Staatliche Kunstsammlungen Dresden, Foto: Hans-Peter Klut / Elke Estel
unbekannter Künstler, Herakles Farnese, letztes Drittel 17. Jh.

Die zwölf „Herkulesaufgaben“

Balthasar Permoser’s ‘Saxon Hercules’ on the Rampart Pavilion (Wallpavillon) of the Dresden Zwinger bears witness to this. Hercules, as it turns out, was not only strong and virtuous. In some situations, he behaved dishonourably, succumbed to vice, or committed cruel injustices. The exhibition encourages reflection on the significance of heroism throughout history and its status in our society today. Particular attention is paid to the enormous narrative power and continued endurance of the myth.

muskulöser, nackter Mann auf zwei Personen gestützt
© Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden; Foto: Hans-Peter Klut
Peter Paul Rubens, Der trunkene Herkules, von einem Satyr-Paar geführt, um 1613/14

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